Halo light pro microphone instructions8/31/2023 ![]() If you’re looking to improve the flexibility of this kind of setup, a simple way to do that is by using light sources with Philips Hue bulbs. In a three-point lighting setup, you add a third light behind you to provide a bit more subject separation and pop Ideally, you’d place this out of frame of your camera (you don’t want a big, bright light shining right into the lens) and off to the side, as indicated in the diagram below. This extra light is used in broadcast interview lighting setups to provide a slight halo effect on the subject, which further helps separate you from the background, and provides a bit more depth and professional look. Similar to two-point lighting, but with a third light added positioned somewhere behind you. As mentioned, it doesn’t really matter what kind of light you use, but it’s best to try to make sure that both are the same temperature (for ordinary household bulbs, how “soft,” “bright” or “warm” they are), and if your lights are less powerful, try to position them closer in. This will provide a subtle bit of shadow and depth to the lighting on your face, resulting in a more pleasing and professional look. Note that if you can, it’s best to make one of these two lights brighter than the other. And if you have a movable light or an overhead lamp, either move it so it’s behind and above your computer facing you, or move yourself if possible to achieve the same effect with a fixed-position light fixture, like a ceiling pendant.Ī simple representation of how to position lights for a proper two-point video lighting setup If you have a large window and it’s daytime, face the window with your back to a wall, for instance. You should also make sure that there aren’t any strong competing light sources behind you that might blow out the image. Ideally, you should position yourself so that the source of brightest light is positioned behind your camera (and above it, if possible). Consider not only any ceiling lights or lamps in your room, but also natural light sources like windows. ![]() The secret is all in being aware of your surroundings and optimizing your camera placement relative to any light sources that might be present. You can make a very big improvement in your lighting with just a little work, and without spending any money. While it isn’t actually something that requires a lot of training, expertise or even equipment to get right, it’s probably the number-one culprit for subpar video quality on most conference calls - and it can mean the difference between looking like someone who knows what they talk about, and someone who might not inspire too much confidence on seminars, speaking gigs and remote broadcast appearances. In this installment of our ongoing series around making the most of your at-home video setup, we’re going to focus on one of the most important, but least well-understood or implemented parts of the equation: Lighting.
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